RECORDING BLOG

This is a list of what I've recorded and with whom - in blog form, though many entries were actually made years after the fact. Songs in italics have never been released in any form (and, in many cases, probably shouldn't be.) Most of those were either studio demos or things recorded just for the heck of it years ago, and included here because, hey, it's just text, it doesn't take up much space, so one might as well be complete. The list is broken into sections (Solo/Rosencrantz and Guildenstern work, work with Scape Goat, Supernatural Anarchy, etc.) and in reverse chronological order.


Clark Street Carols sessions

14 January 2006
Chicago, IL
Engineer: Jamie Warner
Jeff Brown - guitar, backup vocals, accordion
Brian Feltner - piano, organ
Kurt Vile - organ on "Crooked Houses"
Kelly Warner - percussion

New York Rain
Long Way Home
Your Neighborhood Gives Me the Creeps
Wake Up, September
I Don't Believe in Summer
One Last Short Poem
Barbara Allen's Grave
Fade To Black (song by Metallica)
Initial plans were to record everything live, but this proved to be impossible given the mic setup. Guitar and piano/organ tracks were recorded simultaneously, then vocals were added, followed by lead guitar and accordion, then percussion, over the course of the day. Only "Long Way Home" was recorded "Alan Lomax Style," all live to one mic, following trouble doing it in the style of the others. All songs were done on acoustic guitars, but the lead guitar on "Neighborhood" and "But Not the Songs" were fed into effects boxes, a la "Man Who Sold the World" from "Nirvana Unplugged." Jen Hathy was on hand to take photos, visible throughout the page and on the tray card of the album. More will be posted soon, or you can see several at her page, morethannothing. Recording lasted until around six, when we had to be at Uncommon Ground for a gig, and resumed afterwards with the addition of percussion. The spontaneous version of "Fade To Black" featured me on vocals, Jamie and Kelly on acoustic guitars, and Jeff on accordion. It was quite fanatastic, but the recorder wasn't set up right for it.

13 January 2006
Chicago, IL
Engineer: Jamie Warner Jeff Brown - guitar, vocals

Kelly Warner - percussion Jamie Warner - guitar, bert Jeff's guitar/backup vocal tracks for:
But Not the Songs

Kelly's Percussion for
Crooked Houses

Jamie's tracks for:
Bells of St. Julian's (acoustic guitar)
An Intellectual Country Song About Joan Baez ("bert" guitar)

12 January 2006
Chicago, IL
Engineer: Jamie Warner

New vocal tracks for:
Bells of St. Julian's
When Kevin Comes Marching Home (also a harmonica track)
Crooked Houses
An Intellectual Country Song About Joan Baez
But Not the Songs

28-29 December 2005
Douglasville, GA
Engineer: Jamie Warner
Personell:
Adam Selzer - guitar, vocals
Bryan Hall - upright bass

Crooked Houses
An Intellectual Country Song About Joan Baez
Bells of St. Julian's (Criminal's Good-Night)
When Kevin Comes Marching Home
The Singer But Not the Songs

A late night session following the gig in Carrolton, yielding few, if any, usable vocals. One particular notable take of "Crooked Houses" ended with me trying not to cough in the first verse, trying not to cough or choke in the second, and trying not to cough, choke or laugh by the end. Excellent bass tracks, though - recordings will resume in two weeks in Chicago.

Summer 2005
Clark Street Carols demos

Barbara Allen's Grave
Crooked Houses
I Don't Believe in Summer (w/ Jeff Brown on lead guitar)
Untitled (Apartment On the Lower North Side) (aka Estella)
An Intellectual Country Song About Joan Baez
Viktor: Human Cannonball
The Nights Are So Long
When Kevin Comes Marching Home
Bells of St. Julian's
Towson Street
Long Way Home (fast version)
New York Rain
Wake Up, September
Means To an End
White Trash Women
For You (song by Bruce Springsteen)
Blue Line Train, Blue Line Train
Trills
Contents of the Dead Man's Pockets
Songs not italicized were on myspace at one point. Most are solo acoustic, some had piano or organ added.

Suburban Post Modernist Sessions


Date: 27 March 04
Studio: Simply Recording
Engineer: Rob Schoenborn
Personell:
Adam Selzer - guitar, vocals, harmonica

Track Recorded:
If I Loved You

Slightly re-written lyrics led to a re-record of the song on the last day of mixing. Guitar, vocals and harmonica were recorded simultaneously in one take.

"Crime of the Century" and "The Mysterious Midnight Accordionist" are being left off the album because having outtakes makes me feel like a big shot.

Date: 19 July 03
Studio: Simply Recording
Engineer: Rob Schoenborn
Personell:
Adam Selzer - vocals, accordion
Jamie Warner - acoustic guitar

Tracks Recorded:
The Mysterious Midnight Accordionist (guitar(Jamie)/vocals(adam)), accordion dubs
Punk Rock Tango Girl (guitar dubs)

From a blog entry regarding the session:
Just returned from the studio.
Principle recording for Suburban Post Modernist is now finished.
Hooray!
Mixing should begin later this week; I'll post a song or two as they become finished.
Here's a story from the last session:

"Six and a half for a dozen. Hah." I murmured, randomly, as I fumbled with my accordion. One has to be in the right mood for certain songs. I'd had to stop at a thrift store on the way there to buy a red and navy striped shirt (a la Ernie) because recording "The Mysterious Midnight Accordionist" in anything else would have been simply wrong.
"Who's on take one, what's on take 2, and I don't know if there'll be a take 3."
The thumb strap on the accordion picked this moment to break, this very day, the first day it has been used on an album, after five years of being in my possession. It waited until its exact moment of glory to break.
"Jamie," I said to my guitarist, "do you have any safety pins attatched to you?"
He did, and withdrew one so that I could rehook the accordion.
"We're still rolling," said Rob, the engineer.
"Okay, take two."
Take Two was the first time I ever played a complete accordion line on the song, even though the song has now been sitting in the vaults for about five years. Take two was also the take on which the whole thing was nailed.
And, after a brief interlude in which acoustic guitar was added to "Punk Rock Tango Girl," the album was a wrap.
Handshakes all around, while I tried to figure out what I meant by "six and a half for a dozen." I believe it has to do with finders' fees paid by the mental hospital which is never mentioned in the song but is probably on the minds of the victims of the accordionist.


Date: 14 June 03
Studio: Simply Recording
Engineer: Rob Schoenborn
Personell: Dave Rood - trumpet

Tracks:
La Boheme on the Radio (trumpet overdubs)
Punk Rock Tango Girl (trumpet overdubs)
One Man's Poetry (trumpet overdubs)


Date: 26 April 03
Studio: Simply Recording
Engineer: Rob Schoenborn
Personell: Jamie Warner - electric guitar

Tracks:
Snowflakes In Your Hair (guitar overdubs)
After it Rains (guitar overdubs)
Human After All (guitar overdubs)
Valentine's Day (guitar overdubs)


Date: 19 April 03
Studio: Simply Recording
Engineer: Rob Schoenborn
Personell:
Mary Crowell - piano, organ, clarinet
Adam Selzer - vocals

Tracks:
One Man's Poetry (piano, clarinet overdubs)
Crime of the Century (piano overdubs)
Snowflakes In Your Hair (piano overdubs)
After It Rains (organ overdubs)
Punk Rock Tango Girl (piano and vocals)


Date: 29 March 03
Studio: Simply Recording:
Engineer: Rob Schoenborn
Personell:
Dave Rood - trumpet

Tracks:
Sixty Six (trumpet overdubs)
November Smoke (trumpet overdubs)
Winter (trumpet overdubs)


Date: 8 March 03
Studio: Simply Recording
Engineer: Rob Schoenborn
Personell:
Adam Selzer - guitar, vocals, piano
Brian Richardson - drums

Tracks recorded:
Valentine's Day
Sixty Six
La Boheme on the Radio
Human After All

All song were recorded guitar/vocals (with drums on all but La Boheme), and piano was added to "La Boheme" and "Valentine's Day."


Date: 2 February 03
Studio: Simply Recording
Engineer: Rob Schoenborn
Personell:
Adam Selzer - guitar/vocals
Brian Richardson - drums

Tracks Recorded:
One Man's Poetry
After It Rains Again
Snowflakes In Your Hair
Crime of the Century

This was the "rock songs" session. "Snowflakes," in particular, is the most "rock n roll" song yet recorded for an Adam Selzer record. All songs will be getting piano overdubs, and most will be getting either trumpet or electric guitar dubs later on.


Date: 11 January 03
Studio: Live at the Holiday Inn, Atlanta (recorded by Simply Recording)
Engineer: Rob Schoenborn
Personell:
Adam Selzer - vocals
George Powell - upright bass
Dave Rood - trumpet
Mary Crowell - piano
Brian Richardson - drums

Tracks Recorded:
How Mark Got His Sanity Back

Unlike the other songs, all tracks on this song were recorded simultaneously in front of a small audience.


Date: 26 December 02
Engineer: none Studio: Englewood Way
Personell: "Mr Meenee's Strangely Comfortable Quartet:" Adam Selzer - vocals
Ryan Clark - vocals, Bert
Bert - guitar
Alex Miller - vocals

Tracks Recorded:
Don't Forget Your Hat, Justine


Date: 23 December 02
Studio: Simply Recording
Engineer: Rob Schoenborn
Personell: Adam Selzer - guitar, vocals
Ryan Clark - banjo, mandolin, vocals
Alex Miller - vocals

Tracks Recorded:
The Death of Me Yet (guitar, vocals, bg vocals, banjo, mandolin)
Smoke (banjo and vocal overdubs)


Date: 7 December 02
Studio: "Simply Recording," Woodstock, GA.
Recording Engineer: Rob Schoenborn
Personell: Adam Selzer - guitar, vocals


Tracks recorded:
Winter
If I Loved You
Midnight in the Schoolyard

Smoke


WORST EPISODE EVER and MISC SESSIONS

6/10/03
The Burrow
For re-release of "Uncle Herbert's Extra-Rowdy Funeral"
Personell:
Adam Selzer - 12 string guitar and vocals,
The Chick in the Chick Tract
Polly Wolly Devil / Yankee Doodle Demon
Imaginary Relationships
Franz Kakfa's Particularly Generic Blues #4 (played on Bert)
MPAA Blues
Donkey Kong Demands a Sacrifice
I Used to Be Cooler Than That Guy

During the remastering of the album for re-release, it was determined that these songs would sound better from re-recording than they would from simply being remastered.
10/26-27/02
The Burrow
for "Worst Episode Ever"
Jamie Warner on guitar, Joe Cato on drums (* only)

Midnight In the Schoolyard (Adam on accordion)*
We Have Ways*
Way That London Looks At Night*
Some of My Best Friends
Lucy Loves Lincoln
Song For Lee Greenwood
Murder Ballad Girls
Snowflakes In Your Hair
River of Dreams (by Billy Joel)
Big Bad Retail Wasteland
Worst Episdoe Ever (with Mandy Malone)


7/23/02
The Burrow
For "Worse Episode Ever"
with the Van Atta Jr. High School Girls Chorus
(West Side Mandy Malone and the Murphy Sisters)

Worst Episode Ever



2/24/02
Recording for Tom Waits Tribute Album
Jamie Warner on electric guitar
Adam on guitar/vocals/accordion.

Just the Right Bullets
Sight For Sore Eyes
Burma Shave




STORM SHADOW SESSIONS


10/07/01
Flat Tracks (Rob Schoenborn, engineer)
Overdubs for "Storm Shadow."
Diana Obscura - cello (www.dianaobscura.com)

Polly Vaughn Dreams of England (overdubs)
Lullaby in 12 Nursery Rhymes (overdubs)
The October Waltz (overdubs)

That's the record! Time to mix now. Diana (who appeared disarmingly normal without the horns, latex suit, odd hair, etc. of her usual costume) did a fine job adding cello to tracks that sorely needed it. She's a pleasure to work with (how do I phrase that last sentence correctly? "A pleasurable person with whom to work?")

Diana Obscura adding cello overdubs...note Bert on couch

9/23/01
Flat Tracks
David Rood on guitar

Lullaby in 12 Nursery Rhymes
various piano/organ/bert overdubs

Many murder ballads feature parrots/talking birds, for reasons that are rarely clear. In any case, I was a bit alarmed when I woke up the day of the session to find a parrot perched above my front door. I kept expecting it to tell me I'd killed Pretty Polly or Omie Wise. But it never talked, just squaked noisily, then flew off. Did some searching to see if anyone had reported losing a parrot, but no one had. It came back later to pace up and down the porch and engage in a bit more squaking. I wondered if mysteriously appearning parrots were good luck at a recording session. I guess they are, because the session went amazingly well. The album is progressing nicely!

Adding "Bert" to "Always Keep a Diamond In Your Shoe."

9/9/01
Flat Tracks
overdubs for "Stormshadow"
Jamie Warner on electric guitar, Joe Cato on drums

I Thought She Was a Goth
Cheerleaders
Once More Before I Go #2
Friday Avenue
Til the Novelty Wears Off
The Radio is Haunted

Saw a murder(of crows) on the way in, were attacked by a Hammer Knight inside. Joe was mocked by a burrito that kicked his ass, Adam was mocked by his busted watch, Jamie was mocked by his equipment and his trombone skills, Kristen was mocked by a bug. Rob is doing an outstanding job, everything sounds awesome. The addition of drums and electric guitar makes the tracks about a million times better.


8/18/01
Flat Tracks
Adam on Piano


Like A Prayer (Madonna)
The October Waltz
Amazing Grace (Train Song)
Lullaby in 12 Nursery Rhymes
Howl (For Mayor McCheese)
It Used To Be A Cantina (Live) (Adam on guitar)

8/5/01
Flat Tracks


The Radio is Haunted
Polly Vaughn Dreams of England
Always Keep a Diamond In Your Shoe
Til the Novelty Wears Off
Snowflakes In Your Hair

7/29/01 - Flat Tracks
For Album 3 (now untitled)
Engineer: Rob Shoenborn.
Adam on guitar/vocals

I Thought She Was a Goth
Once More Before I Go #2
Friday Avenue
Polly Vaughn Dreams of England
The Radio Is Haunted

Cheerleaders
Cheerleaders - crooning version
The MTV
After it Rains

3/27/01 - WWGC
for "Snowflakes In Your Hair"
Margret Chang on violin, Joe Cato on drums

"Dread"
"The Way Out Of Here"
"Once More Before I Go"
"Lullaby in 12 Nursery Rhymes" (attempted, not completed)

Interesting note: "Once More..." was recorded with Adam lying on his back under a desk.

3/13/01 - WWGC
demos for "Snowflakes In Your Hair"
Once More Before I Go(several takes)
Present Company Excluded
Dread
The Way Out of Here



1/30/01 - WWGC
Adam Selzer and his Maritime Band Metallica Tribute
w/ Joe Cato on drum, Margret Chang on violin
Escape (Metallica)
The Four Horsemen (Metallica)
Seek and Destroy (Metallica)
The Memory Remains (Metallica)
Through the Never (Metallica)

ALL SONGS ABOVE ARE AVAILABLE EXCLUSIVELY ON NAPSTER, as are the two Metallica songs recorded 12/6/00

Later That Same Night...
Adam Solo
Demos for "Snowflakes In Your Hair"
Lullaby in 12 Nursery Rhymes
Friday Avenue
Once More Before I Go
Your Neighborhood Gives Me the Creeps


1/6/01 - GaFilk Recording for Worldream
Many Hearts, One Voice (by Steve Macdonald) - backup vocals (bass) only. Sort of like a filk "We Are the World" See http://www.smacdonald.com/dream

12/30/2000 - Rob Shoenborn's Studio (for special project)
"Charlton Heston" song

12/6/2000 - WWGC Studios (also for Dylan Tribute)
Margret Chang on violin, Joe Cato on drums
"Cat's In the Well" (Dylan)
The RMD
"Talkin' Bob Dylan Impersonator
"Shooting Star" (Dylan)
"One Too Many Mornings" (Dylan)

"Disposable Heroes" (Metallica)
"Motorbreath (Metallica)

11/13/2000 - WWGC Studios (For a Dylan tribute album)
Joe Cato (drums), Margret Chang (violin)
-
"One Too Many Mornings" (Bob Dylan)
-"Cat's In the Well"
(Bob Dylan)

11/6/2000 - WWGC Studios
For "Uncle Herbert's Extra-Rowdy Funeral"

-various filk songs

10/2/2000- WWGC Studios

-various filk songs
"The Old Mill"
"On The Road" (Jack Kerouac) (Steve Sedberry on 2nd guitar)
"Where the Sagebrush Grows"


9/2000 - The House of Delirium
for "At Night All Cats are Grey"
Joe Cato on drums, Geoff Weaver on bass

"At Night All Cats are Grey"
"I Thought She Was a Goth"
"The October Waltz"
"Black is the Color"


8/2000 - Makeshift Studios
For "At Night All Cats are Grey"


"The October Waltz"
"Irene"(trad)

4/2000 - 411-D Studios (for "At Night All Cats Are Grey")
Margret Chang on violin, recorded by Mark Phelps


"Rosebud"
"The Cold Air"
"The Nights Are So Long
"Cardboard Box"
"At Night All Cats Are Grey"

3/2000 - Makeshift Studios
(Rosencrantz and Guildenstern)


"Leaving of Liverpool"(trad)
"Two Sisters"(trad)
"Lord Henry"

2/2000 - WWGC
for "At Night All Cats are Grey"

"Rosebud"
"Talking Hell to Pay"
"Blow the Candles Out"
"86th Floor Homesick Blues"

12/99 - Makeshift Studios
Rosencrantz and Guildenstern - "Circa"


20th Century Blues (Coward)
Irish Ballad (Lehrer)
As He Goes On By
Red is the Rose (trad)
Golden Vanity(trad)
Stupidity At First Sight (Ryan Clark)
Black is the Color
Little Rock (Ryan Clark)
Do Re Mi 2000
Sloop John B (Trad)
Leaving of Liverpool 2000
Irene(trad)
If I Just Kept Drivin
Thief (Gorman/Donnelly)(w/Jessi Dunlap)
The MTV
Blow the Candles Out
86th Floor Homesick Blues

7/99 - Johnny Silver Studios (pirate radio)
Rosencrantz and Guildenstern, interview and performances:
As He Goes On By
This Letter (Ryan Clark)
Two Sisters(trad)
Headless Horseman (disney)
Irene (trad)

7/99 - Makeshift Studios
Rosencrantz and Guildenstern - "It Was Marlowe - A Folk Opera"


4/99 - Wet Mix Studios
Rosencrantz and Guildenstern - "The North-Northwest Line"


Great Historical Bums(trad)
City of New Orleans (Goodman)
40 Years (Ryan Clark)
As He Goes On By
Pretty Polly (trad)
1913 Massacre (Guthrie)
Nothing To Forget (Selzer/Clark)
The Rain it Raineth (Shakespeare)
Talkin Hell to Pay Blues
Amazing Grace (Train Song)
Lord Henry Lee (trad)
In the Pine (trad)
This Line Is Your Line

12/98 - Wet Mix Studios
Ghosts of the Grey Months (w/ Kevin Chu on guitar)
Winter's Night
How Mark Got Sane

11/98 - Wet Mix Studios

Ghosts of the Grey Months
Talkin' Hell to Pay
The Prayer
The Hi-Way Cafe
Sunday Morning, 1 am
Dark Lost Night
The Sound of Americana
Post Impressionist Bouqet




WITH SCAPEGOAT (Adam on guitar,bass, vocals, Tanner Strutzenberg on guitar,bass, vocals)
(also, Seth Kleinschrodt on drums, 97 and after)
(aka 3 Dumb White Guys)


7/00 - "Insurance Against Holding Public Office"
Sometimes She's So Stupid (Selzer/Kleinschrodt/Strutzenberg)
Hernando's Hideaway(Selzer/Kleinschrodt/Strutzenberg)
Ring of Fire (Cash)
Metal Song(Selzer/Kleinschrodt/Strutzenberg)
Ode (mostly by Seth)
Fishy Blues
Everybody's Getting Laid But Me
Star Wars Closing Title (a cappella)

...note:the tape was badly damaged...but's that's probably a good thing. It's a terrific little record, but it could get us in all sorts of trouble

8/98 - experiment:
It Ain't Me Babe (Dylan) (punk version)

8/97 - Makeshift Studios - "We're So Lame" Sessions
included:
Fire in the Sky
Break on Through (The Doors)
Slushee Song (Strutzenberg/Selzer)
Fire in the Sky
Raindogs (Waits)
Midnight Wind (Strutzenberg)
Ballad of the Heavy Cannon (Brecht/Weill)
Solomon Grundy Blues #1
Solomon Gruny Blues #2 (Kleinschrodt)


12/96 - Scapegoat Volume II
Mary Pickford (Stiffs Inc)
Knowledge (Operation Ivy)
Here in the Bedroom (Goldfinger)
The Crystal Ship (The Doors)
I Don't Like Country
Arthur And Thaddeus Get Killed
Babe I'm Gonna Leave You (Trad)
Mack the Knife (Brecht/Weill)

2/95 - Memoirs From Algebra
Slushee Song (Strutzenberg/Selzer)
Old Blues Guitar
Doom Comes to Sarnath
Now Who's the Walrus
Slushee Song (Live)
...some others, titles to come




WITH SUPERNATURAL ANARCY
(Adam on bass/vocals, Seth Kleinschrodt on drums)


4/95 - "Bloody Oracle" sessions

Fire in the Sky
Headless Horseman
Loserland
Mirror(title?)
Blitzkrieg (Blitzkrieg)
...there are a few others...titles forthcoming


7/94 - "Grinch Night Wind" Sessions
Headless Horseman
Fire in the Sky
Jervas on Trial
various hidden tracks



WITH SOILENT PLAID (alias Your Name Here)
(spoken word band with Ryan Clark, Jessi Dunlap, Erika Kis)


2/96 - "Do You Know Your Zip Code?"
included:
Renfield's Flies
Wilfred (Ryan Clark)
In the Pines (trad)/Pretty Paranoid
Shipwrecked(Selzer/Clark)
Hi-Way Cafe
Censorship (Ryan Clark)
English For Cab Drivers (Selzer/Clark/Dunlap/Kis)
Noise Rant


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